Using Live with ReWire – Ableton.Reason Archives – makou’s peephole
This is another scratchpad post to remind myself how I set up two of my favorite digital audio workstations Ableton Live and Apple Logic Pro X to run at the same time.
I like facets of each of these systems and want to have the best of both worlds — the live-performance flexibility of Live and the instruments and signal processing of Logic. Until then, this is a set of notes on how I do it. Your mileage may vary. Revises the Logic and Live templates to reflect this change in audio processing. Logic breaks controllers like Push and Komplete Kontrol because it grabs them away from Live as it starts up.
Push shuts down entirely as soon as Logic is running. Here are links to two project files which you are welcome to try out as a template. Why not 16, you ask? The configuration steps to set up the environment are still required, but you should then be able to load these up as a starting point. Zip archive of the revised Logic and Live templates.
I highly recommend you watch this video which, at about minute 3, walks you through setting up a two-channel audio connection between Logic and Live that is exactly the same as what this tutorial shows. After a few times through, this checklist may serve as a useful shorthand reminder of the steps that are required. Configure Audio Preferences in Live to recognize Loopback as its audio input.
Set project-level configuration preferences only required for multitrack work. Controller e. Ableton Push or Komplete Kontrol stops working in Live. Two channels sound in Logic, the external-keyboard channel and the record-armed one. First get your template working without the complications of stray MIDI coming from your devices use the computer-keyboard to generate notes in Live , then add external sources of MIDI back in one at a time and debug any conflicts.
Loopback provides several ways to get this job done. Optional: rename the port by clicking on the name and waiting for it to turn into an edit box. Opening Logic first may cause Logic to launch as a Rewire host and Live will then automatically open as a Rewire Slave — the whole goal of this exercise is to have Live act as the master not Logic. Configure Audio Preferences in Live to recognize Soundflower as its audio input.
This tutorial uses the channel Loopback device configured above. Use smaller buffer sizes if latency becomes an issue for live performance.
Note that sample sizes and sample rates are set in Loopback, Live and Logic. Since Soundflower has selected as the global audio-input source for Live in Preferences, the channel selections will all refer to Soundflower.
The single-number options refer to single channels, the options with two vertical bars refer to stereo pairs. The stereo pairs are the likely choice in most situations. Set the global Audio Output device to the Loopback device. The 32 channel version is used in this setup. The steps in this section are to overcome the somewhat wonky multi-channel MIDI routing in Logic and are not required for driving a single channel in Logic from Live.
Projects default to listening to all instruments. This causes endless trouble with MIDI loops. Here are the steps:. Click on this photo to get a full-sized version — note that all channels are armed for recording, and each has a different MIDI channel assigned as seen with the light number in brackets immediately to the right of each track name.
Use the Mixer window to assign audio channels to tracks in Logic. This is only required for multi-channel configurations. Test the configuration. Notes should sound in Logic on the tracks corresponding to the ones that have been record-armed in Live. Bring each external controller back into the Live configuration one at a time and iron out any wrinkles that may appear. Push or Komplete Kontrol. Debugging all possible problems with external controllers is beyond the scope of this post.
This is true. Logic is grabs those controllers away from Live when it starts. I have no fix, only a workaround. Use this dual-DAW configuration sparingly, then shut down Logic and complete your production in Live by itself. Resources channel project templates for Live and Logic Here are links to two project files which you are welcome to try out as a template. Zip archive of the revised Logic and Live templates Excellent video introduction to the Loopback software I highly recommend you watch this video which, at about minute 3, walks you through setting up a two-channel audio connection between Logic and Live that is exactly the same as what this tutorial shows.
Configure Loopback Loopback provides several ways to get this job done. Open Live first. Open a new or existing project in Live. Open Logic. Open a new or existing Logic project. Assign MIDI channels to correspond with the MIDI To settings in Live Record-arm the track or tracks Click on this photo to get a full-sized version — note that all channels are armed for recording, and each has a different MIDI channel assigned as seen with the light number in brackets immediately to the right of each track name.
Switch back to Live Test the configuration. Debugging: Controller e.
Logic pro x ableton rewire free download.Download Logic Pro X for Pc – Windows 7/8/10 [Latest Version
› for-advance-logic › rewire-3 「Rewire」を使用することで、異なるシーケンスソフトをLogicに同期させることができます。Logicの「再生、停止」に従うなど、作業が楽になります。
Logic pro x ableton rewire free download
It is now possible to select a region on a track assigned to a group without also selecting overlapping regions on the same track.